“Hacia la Vida” is a story that brings together two strangers, each looking for their own redemption. Soledad is a lonely woman who works as a professional funeral crier for hire. While on the job, she comes across Salvador, a young man who is there to mourn the death of a woman he never met… his own mother. In this vulnerable setting, two people who seemingly have nothing to do with one another realize their similarities, and explore their conflicting viewpoints on life. During their brief encounter, confessions are exchanged and forgiveness imparted, giving these two souls the peace of mind they need to move on.
Title | Hacia La Vida | |
Duration | 16:23 | |
Director | Fidel Arizmendi | |
Writer | Fidel Arizmendi | |
AD | Luciano Seri | |
Director of Photography | Alan Caudillao | |
Executive Producer | Fidel Arizmendi | |
Pablo Jose Barroso | ||
Fernando J. Ruiz | ||
Line Producer | Alberto Zeni | |
Music | Gustavo Farias | |
Editing | Jesus Silva | |
Casting | Rosalinda Morales | |
Art Director | Geoffrey Brown | |
Makeup | Rosie Duprat Fort | |
Luis Garcia | ||
Sound Mixer | Juan Diego Borda | |
Sound Engineer | Jesus Guevara | |
Hunter Moore | ||
Gonzalo Ugateche | ||
Special Effects | Maury Rosenfeld | |
Cory Shaw | ||
Andrew Allen Austin | ||
Camera “A” Operator | Ted Chu | |
First Assistant Camera “B” | Brad Greenspan | |
Second Assistant Camera | Mark Legaspi | |
Key Grip | Luis Luna | |
First Assistant Camera “A” | Clint Moran | |
Dolly Operator |
Nikolas Smith | |
Grip/Electrician | Francis F. Trejo | |
Gaffer | Alberto Vegas | |
Wardrobe | Â Traci Asher | |
Yolanda | Eliana Alexander | |
Salvador | Alejandro Edda | |
Soledad | Lupe Ontiveros | |
Aura | Lidia Pires | |
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